You’ll be able to see four versions of footage from Peter Jackson’s King Kong. Version 1 has no music; Version 2 has digital orchestra only (and this step is now a regular occurrence in the process of making film scores); Version 3 is acoustic orchestra only; and Version 4 is the final version, which is, perhaps surprisingly, a combination of the digital and acoustic versions.

If you are interested in video game music, you may want to skip to the final 15 minutes to hear a discussion between audience member Filippo Beck Peccoz, composer and founder of the Berklee video game music club, and the panelists. It’s a vivid demonstration of what used to be called the generation gap!